Not in the form of the two closed , intraverted forks, but with the forky claws open.
Then imagine an ancient Greek letter, the 'epsilon', like this or like this:
And then place the 'Eψιλον-epsilon' accordingly so that it intertwines with the Vajra, keeping the middle of the 'spine' of both of them interunited.Then you have something like this:
Then you bent, arch-bow it and this new 'weapon' takes the form of the princers (somehow).
If you encompass or embrace something within it, you can either break it, or manipulate, or handle it. As if it were a nut, a
hazelnut or even the moon. Or you can 'crack' a portal in or out .
Vajra Dakini
"...She carries the kapala in her left hand and
the vajra in her right hand,.."
Tibetan Buddha statue - Vajra (Naro) Dakini fully gold-plated
goddess kali holding vajra in the right hand
goddess kali holding vajra in the right hand
Shakti
In Hinduism, Shakti (Devanagari: शक्ति; from Sanskrit shak, "to be able"), also spelled as Sakthi, meaning "power" or "empowerment" is the primordial cosmic energy and represents the dynamic forces that are thought to move through the entire universe.[1] Shakti is the concept or personification of divine feminine creative power, sometimes referred to as 'The Great Divine Mother' in Hinduism. As the mother she is known as Adi Parashakti or Adishakti. On the earthly plane, Shakti most actively manifests through female embodiment and creativity/fertility, though it is also present in males in its potential, unmanifest form.[2]
Hindus believe that Shakti is both responsible for creation and the agent of all change. Shakti is cosmic existence as well as liberation, its most significant form being the Kundalini Shakti, a mysterious psychospiritual force.[3][4]
In Shaktism and Shaivism, Shakti is worshipped as the Supreme Being. Shakti embodies the active feminine energy of Shiva and is identified as Tripura Sundari or her avatar Parvati.
Parvati Mata
Parvati Mata the Hindu goddess of love, fertility and devotion. She is the gentle and nurturing aspect of Hindu goddess Shakti. She is the mother goddess in Hinduism and has many attributes and
aspects.
Each of her aspects is expressed with a different name, giving her over
100 names in regional Hindu mythologies of India. Along with
Lakshmi(goddess of wealth and prosperity) and Saraswati (goddess of
knowledge and learning), she forms the trinity of Hindu goddesses.
Parvati is the wife of the Hindu deity
Shiva – the destroyer, recycler and regenerator of universe and all
life. She is the daughter of mountain king Parvat and mother Mena.[7]
Parvati is the mother of Hindu deities Ganesha and Kartikeya.[8] Her
elder sister is goddess Ganges. Some communities also believe her to be
the adopted sister of Vishnu.
With Śiva, Pārvatī is a central deity in Saivism sect of Hinduism. In Hindu belief, she is the recreative energy and power of Śiva, and she is the cause of bond that connects all beings and a means of their spiritual release.[11][12] In Hindu temples dedicated to her and Śiva, she is symbolically represented as argha or yoni. She is found extensively in ancient Indian literature, and her statues and iconography grace ancient and medieval era Hindu temples all over South Asia and Southeast Asia.
Satī Devi : also known as Dakshayani is a Hindugoddess of marital felicity and longevity. An aspect of Adi Parashakti, Dakshayani is the first consort of Shiva, the second being Parvati, the reincarnation of Sati herself. In Hindu legend, both Sati and Parvati successively play the role of bringing Shiva away from ascetic isolation into creative participation in the world. The act of Sati, in which a Hindu widow immolates herself on her husband’s funeral pyre as a final and consummate act of loyalty and devotion, is patterned after the deed committed by this goddess to uphold the honour of her husband.
Avatars of Mata Parvati :
Durga
meaning “the inaccessible”[1] or “the invincible”, is the most popular
incarnation of Devi and one of the main forms of the Goddess Shakti in
the Hindu pantheon. Durga is the original manifested form of Mother
Parvati or Adi-Parashakti. Durga is Adi-Parashakti herself. The Devi
Gita, declares her to be the greatest Goddess. Thus, she is considered
the supreme goddess and primary deity in Shaktism, occupying a place
similar to Lord Krishna in Vaishnavism. According to Skanda Purana, the
goddess Parvati accounted the name “Durga” after she killed the demon
Durga Measure. Goddess Parvati is considered to be the complete
incarnation of Adi Parashakti or Goddess Durga, with all other goddesses
being her incarnations or manifestations. Adi Parashakti or Mahadevi,
the supreme power, is called Durga Shakti as per Devi-Mahatmya. Adi
Parashakti or Devi Durga is a Hindu concept of the Ultimate Shakti or
Mahashakti, the ultimate power inherent in all Creation. This is
especially prevalent in the Shakta denomination within Hinduism, which
worships the Goddess Devi in all her manifestations. She is Goddess
Lakshmi and Goddess Saraswati in her mild form; Goddess Kali and Goddess
Chandi in her wrathful form. Durga is also called Padmanabha-Sahodari
and Narayani, the sister of Lord Vishnu. According to Shaivism and
Shaktism She is supreme, but to bring back lord Shiva in Sansar, she was
reborn in human form (Sati and Parvati) to marry Shiva. Durga gave
birth to his first child Kartikeya.
Navadurga which literally means Nine
forms of Goddess Durga, constitute, according to Hindu mythology, the
manifestation of Parvati in nine different forms. These nine forms of
manifestation are Śailaputrī, Brahmachāriṇī, Chandraghaṇṭā,Kuṣhmāṇḍā,
Skandamātā, Kārtyāyanī, Kālarātrī, Mahāgaurī and Siddhidātrī; together
worshipped during the Navratri (Nine Divine Nights) celebration in
Autumn each year.
1. Shailaputri May the illustrious Shailputri Durga whom I salute and whose head is adorned by a halfmoon, who rides nandi, a bull and carries a spear fulfill the desires of my heart. She is known as 1st phase of Durga when she took birth as the daughter of Great Himalayas.
2. Brahmacharini May the supreme Brahmachari Durga, who holds rosary and kamandalu in her lotus hands and whose nature is to attain Sachchidananda Maya Brahma Swarupa the Existence-Knowledge-Bliss absolute, be propitious on me.
3. Chandraghanta May that Durga Devi, who rides on Tiger, who is endowed with intense anger and violence and is renowned by the name of Maa Chandraghanta, bestow her grace on me. Chandraghanta Maa is known and named Chandraghanta or Chandra-Khanda as Maa Durga wears the semi-circular moon (Chandra) which appears like a bell (Ghanta) on her forehead.
4. Kushmanda May Kushmanda Ma Durga who holds two pitchers full of blood in her lotus hands and the universe is created, sustained and drawn within Devi’s oneself in a wink be propitious for me. In this form Mother Durga creates solar system by liberating her power to Lord Sun.
5. Skandamata May the renowned Durga Devi Skandamata who is eternally seated on a throne and whose hands are adorned with lotuses, be ever propitious to me. As Mother of Skanda or Kartikeya, Maa Parvati or Maa Durga is known as Skandmata.
6. Katyayini May the ever watchful Durga Devi Karthyayani, who holds shining Chandrahasa (Sword) in Devi’s hand and rides a magnificent lion and destroys the demons, bestow welfare on me.
7. Kaalratri May she Bhayankari Maa Durga who is with long lips, riding an ass, shining in various hues looks formidable because of the halo of Devi’s lustre and is adorned with multi coloured ornaments remove my darkness of ignorance.
8. Mahagauri May the Mahagauri Ma Durga who rides a white Vrishaba the bull and who wears spotless white clothes and remains ever pure and also provides ever lasting bliss to MahadevaLord Shiva bestow all auspiciousness.
9. Siddhidaatri May the ever victorious Siddhidayini Ma Durga, who is always worshipped by the hordes of siddha, gandharva, yaksha, asura, and Deva, bestow success at my every venture. She is one who was worshiped by Lord Shiva to become in the form of Goddess Ardhnarishwara, then Goddess Shakti Appeared from the left side of Lord Shiva
Kali also known as Kālikā is the Hindu goddess associated with empowerment, shakti. She is the fierce aspect of the goddess Durga (Parvati). The name Kali comes from kāla, which means black, time, death, lord of death: Shiva. Since Shiva is called Kāla— the eternal time — the name of Kālī, his consort, also means “Time” or “Death” (as in “time has come”). Hence, Kāli is the Goddess of Time, Change, Power and Destruction. Although sometimes presented as dark and violent, her earliest incarnation as a figure of annihilation of evil forces still has some influence. VariousShakta Hindu cosmologies, as well as Shākta Tantric beliefs, worship her as the ultimate reality or Brahman. Comparatively recent devotional movements largely conceive Kāli as a benevolent mother goddess.[2] Kālī is represented as the consort of Lord Shiva, on whose body she is often seen standing. Shiva lies in the path of Kali, whose foot on Shiva subdues her anger.
Can Weapons Of The Gods, Like The Vajra Be found Around The World?Scholars contend that there is no relationship between Indian, Greek, Australian, Norse and the cosmology of the Americas. They believe that each civilization conceived of their gods independently and that a deeper, older, universal tradition does not exist.
If this were the case, then the foundation of these societies; their myths, traditions, beliefs and iconography should be unique to them, their location and their history. The tales of war, intrigue and conquest that come out of American history are vastly different from those of England, France, India and China.
So too are the customs, traditions and the symbols that represent the nation. Yet when we look at a wide range of ancient and indigenous groups a pattern of commonality exists. Myths and symbols found in Indian readily appear in the oral and written descriptions of other cultures.
They also appear in their artistic images. These representations seem to transcend time and location.
The symbol of thunder or a thunderbolt as a tool of destruction, for example, surfaces in many ancient civilizations. Mythology unfailingly associates lightning with a sky god, the god of thunder, who uses it as a weapon.
In the western world, the thunderbolt is most readily associated with the Greek sky god Zeus. With it, he defeated the Titans and took control of the Greek pantheon. Myth tells us, that Zeus freed the Cyclopes, the master builders, who were imprisoned in the depths of the underworld – Tartarus.
In gratitude for their release, they gave him a marvelous weapon, the thunderbolt. In another story, Zeus used his formidable weapon to battle the largest and most fearsome creatures in all of Greek mythology, the hundred-headed serpent Typhon.
Early images of Zeus depict show him holding a rod like thunderbolt while others show this deadly weapon with its ends splayed into three prongs.
A vajra-like weapon also appears in Sumerian cosmology. Its use is recorded in the Bablyonian Epic of Creation, the Enuma Elish. A battle between the sky god Marduk (Bel) and serpent Tiamat is detailed on the fourth tablet of this ancient document.
The evil and powerful Tiamat, according to the Enuma Elish, was devising treacherous plans against Ea and the other reigning gods. The gods were afraid to invoke her evil wrath and search for a solution.
Ea attempts to confront Tiamat, but instead of fighting backs down. Marduk, his son, steps forward and volunteers to fight the enraged serpent, on one condition… If he is successful, he will have dominion over the entire universe.
The gods agree and provide Marduk mighty weapons including a bow, a mace and a net to use in his battle against Tiamat.
Images of this epic scene show Marduk holding a three tipped scepter in his hand. Subsequent images clearly depict this same deadly three-pronged weapon).
"They gave him the unrivalled weapon, the destroyer of the enemy [saying]: “Go, cut off the life of Tiâmat. “Let the wind carry her blood into the depth [under the earth].” The gods, his fathers, issued the decree for the god Bel. They set him on the road which leadeth to peace and adoration." – Enuma ElishOther Forms Of The Vajra
The Rigveda also offers an alternative description of the vajra. Some texts represent it as a notched metal club with thousands of prongs. We find this form of the vajra in numerous other cultures.
The most well known stories that portray the vajra in its club-like form come from Norse cosmology. They are associated with the sky god Thor.
Thor’s mighty hammer Mjölnir was the most fearsome weapon in Norse mythology. Images of the thunder god Thor traditionally show him carrying his mighty hammer. Some texts describe Mjölnir as a hammer, while others refer to it as an ax or club.
The master builders, the dwarfs, in the depths of the earth, made Mjölnir. The Norse Skáldskaparmál, which can be found in the Snorri’s Edda describes Mjölnir as a hammer which would not fail. As a weapon, it could level mountains.
It goes on to state that if aimed it at anything; it would never miss its target. It informs us that in addition to never missing its target, it would always find its way back to the hand of its owner.
Thor used his mighty hammer to battle his deadliest foe, the giant serpent Jörmungandr. In these tales, the Midgard Serpent, Jörmungandr is not killed. It would not be until near the end of the world in the apocalyptic battle of Ragnarök, that Thor will clash with Jörmungandr the final time.
In Slavic mythology we learn of the evil serpent Veles who ascends from the underworld and steals something of value to the sky god Perun. Perun, using lightning bolts, would vanquish Veles back to his underground realm annually.
His deadly axe, like Thor’s mighty hammer was used to subdue evil and overcome the iniquitous serpent Veles. It too would return to his hand after being thrown.
In Irish mythology, the magical weapon of the hero of Ulster Cúchulainn is the Gae Bolga or lightning spear. Cúchulainn fights and kills his childhood friend and foster brother, Ferdia with this magical weapon.
The Gae Bolga is described as a dart or spear, which separates into multiple barbs when entering the body, causing fatal wounds. It was next to impossible to withdraw once it had impaled the body. The Irish Book of Leinster describes the devastating effects of the Gae Bolga as such:
"It entered a man’s body with a single wound, like a javelin, then opened into thirty barbs. Only by cutting away the flesh could it be taken from that man’s body." – Book of LeinsterIn China, the legend of Hua-hu Tiao Devours Yang Chien describes a magical spike carried by Huang T’ien Hua which sounds remarkably similar to Indra’s vajra.
"The Chin-kang, deprived of their magical weapons, began to lose heart. To complete their discomfiture, Huang T’ien Hua brought to the attack a matchless magical weapon. This was a spike 7 1/2 inches long, enclosed in a silk sheath, and called ‘Heart-piercer.’Finding myths, with similar storylines, and their corresponding images in relatively close geographic areas, while interesting, does not fully support the universality of the gods.
"It projected so strong a ray of light that eyes were blinded by it. Huang T’ien Hua, hard pressed by Mo-li Ch’ing, drew the mysterious spike from its sheath, and hurled it at his adversary. It entered his neck, and with a deep groan the giant fell dead." – Myths & Legends of China – E. T. C. Werner
When we uncover similar narratives and corresponding imagery, in remote regions of the world, this concept takes on a more serious tone. Myths of a vajra-like weapon are found all over the world.
In Australia, the sky gods, the Wati Kutjara brothers, wield a magical boomerang, Wo-mur-rang or club. Boomerangs are known for their ability, once thrown, to return to their owner. Legend states that their father Kidili attempted to rape some of the first women. Throwing their wo-mur-rang, they castrated their father where he disappeared into a water hole.
Vajra Like Weapons In the New World
In the new world we encounter a similar deadly lightning weapon used by the sky gods. In the Aztec culture there is the god Huitzilopochtli. Huitzilopochtli, with his weapon Xiuhcoatl, “the fire serpent”, killed his sister Coyolxauhqui soon after he was born.
The Mayan rain deity Chaac and the later Aztec Tlaloc are both are depicted carrying their lightning axe. Sometimes they are depicted holding snakes, which represent lightning bolts, which they would hurl from the mountaintops where they made their retreat.
In Peru, we find the god Illapa who is described as a man wielding a club in his left hand and a sling in his right.
A variation of the lightning motif is the concept of the thunderstone. It is believed that thunderstones fall from the sky when the gods are battling each other. This idea is widely held throughout Africa.
The Yoruba of southwestern Nigera, for example, believe their axe carrying storm god Shange creates thunder and lightning and casts “thunderstones” down to earth. The elders of this culture would search wherever lightning struck for these magical stones.
The thunder-producing weapon, the vajra, is only one example of the enormous number of commonalities found in myth, legend, culture and iconography around the world.
Similarities exist throughout Greek, Sumerian, Norse, Aztec and Australian and American cosmology. These parallels include the gods, their lives and their amazing weapons. They also include the laws and customs that govern our lives – the very fabric of society.
The universality of symbolism found around the world implies something else. Weapons, like the vajra, were not born from the imagination of man. They did not come into being as part of a cultures evolution. They were real. They were tangible.
Someone somewhere in our remote past saw it and documented it. It is only through an actual encounter with a marvelous weapon that emitted thunder that a clear and specific portrayal of it could be made.
Likewise, if tools like the vajra are genuine then we are forced to accept that the gods who wielded these weapons were factual individuals as well. This newfound knowledge would open the door to a revolutionary new understanding of who we are.
It would challenge the basis of our society and could cause us to reevaluate not only our place in the universe, but everything we hold to be true.
HumansAreFree.com Addendum
According to author and researcher Wayne Herschel, the Vajra was not a weapon, but a device capable of opening stargates to other planets (even though it could have easily been both).
Wayne Herschel's research is very compelling and the evidence is in support of his claims.
According to Herschel, "the Trident forks called Vajra create the opening of the cosmic conduit wormhole star gate."
Wayne is a veteran decoder of ancient star maps and he was able to find significant evidence that the Vajras were being used as portal openers by the ETs that our ancestors worshiped as gods in ancient times:
But, in my opinion, Wayne Herschel's greatest achievement was to locate the actual sun and orbiting home planet of those who genetically engineered our species eons ago (i.e. the Anunnaki):
You can visit Wayne's website here.
About the author: Bestselling author, Dr. Rita Louise is the host of Just Energy Radio and the Founder of the Institute Of Applied Energetics. She is the author of the books:
- The ET Chronicles,
- Avoiding The Cosmic 2X4,
- Dark Angels and
- The Power Within, as well as hundreds of articles that have been published worldwide.
She is also the producer of the videos:
- iKon: Deconstructing The Archetypes Of The Ancients,
- The Truth About The Nephilim and
- Deceit, Lies & Deception: The Reptilian Agenda.
Dr. Rita has appeared on radio and television and has spoken at conferences covering topics such as health and healing, ghosts, intuition, ancient mysteries and the paranormal.
For more information about Dr. Rita please visit http://soulhealer.com or listen to her live at http://www.justenergyradio.com.