While on the Sacred Rock of Athens, the Powers That Be Representative(for the occasion) said:
Barack Obama Visits Acropolis in Athens,Greece
"....the notion of citizenship, of rule of law began to develop here...you also ... sent a signal of the continuity that exists between what happened here with the speeches of Pericles and what happens with our Founding Fathers.... and its very important role for the President of USA to send a signal to the world that their culture , their tradition, their heritage, their monuments are something of value and are precious and we have learnt from them... and that we being a part of it,.. ourselves as part of the broader humanity .. and our community of nations can work together to solve our problems and lift up what's best in humanity.."
Jimmy Osmond & Andy Williams - Scrooge and Cookie Bear - 1969
Ray Stevens and Andy Williams Comedy Skit
On The CBS Evening News Wednesday night, anchor Scott Pelley prefaced the report of Williams’ death at the age of 84 by saying that the reaction of many CBS staff members upon hearing the news was “to start humming ‘Moon River,’” which was Williams theme song.
Me? I thought about the bear and Williams’ send-off line, which worked, I think, because the bear bit was almost as off-the-wall in that tame TV era as an Ernie Kovacs skit and because the “anger” was so comically incongruous coming from a singer so pleasant and unflappable. To find a fellow who seemed more serene than Williams, you had to go over to Perry Como’s soundstage or visit a temple in Tibet.
The bear would wander in and out of camera range and pester and pester Williams, trying to mooch a cookie. And finally, at some point, Williams would explode. “Not now… Not ever… NEVER!”
I still laugh when I read or hear those words. And I’m not the only person of my era who still has that reaction.
Williams was of course best known for his singing, especially ballads such as the themes from Love Story and Breakfast at Tiffany’s (“Moon River”). He also had hits covering an occasional rock ’n’ roll tune (Charlie Gracie’s “Butterfly”) or a country song (Roger Miller’s wonderful “In the Summertime’) or refurbishing a real oldie (Kurt Weill-Bertolt Brecht’s “The Bilbao Song”).
The Smothers Brothers Comedy Hour (1967-69) is rightly remembered as the most daring and “countercultural” of the era’s network musical-comedy programs. But while the musical legacy of Williams’ weekly show inevitably will be linked to the Osmonds, whose career he launched, he was almost as adventurous as Tom and Dick Smothers when it came to showcasing rock and rock-pop acts.
On The Andy Williams Show, you could see and hear Creedence Clearwater Revival, Smokey Robinson & the Miracles, Elton John and Ike and Tina Turner as well as Peggy Lee, Count Basie or Tony Bennett. Other than Ed Sullivan, there’s probably no other TV host who ever welcomed both Jerry and Jerry Lee Lewis to his soundstage (or Liberace and Little Richard, for that matter). And he presented comedians as well: Flip Wilson, Shelly Berman and Phyllis Diller, to name just a few who either did some stand-up or joined Williams in skits.
So here’s to the late, likeable Andy Williams, a singer who came across as a mischievous “Huckleberry friend” notwithstanding the camouflage of tuxedos and Christmas sweaters. I loved his show and his guests and especially the bear. And I never doubted that Williams, once the cameras stopped rolling, handed over the cookie.
Not then.
Not now.
Never.